![]() ![]() Sarah Polley wins Best Adapted Screenplay for Women Talking. Kimmel draws groans in the theater after jokingly asking the audience to vote on whether Robert Blake, the recently deceased actor who was acquitted in his wife's killing, should be part of the evening's In Memoriam.ġ0:44 p.m. ![]() It may not win Best Picture, but the phrase "Oscar-winning film Top Gun: Maverick" is officially a thing.ġ0:51 p.m. Top Gun: Maverick wins Best Sound, the first, and likely last, win for one of 2022's biggest movies. The Academy does, in fact, feel the need for speed. And ladies, don't let anybody tell you you are ever past your prime. "This is proof that dream big, and dreams do come true. "For all the little boys and girls who look like me watching tonight, this is a beacon of hope and possibilities," Yeoh says. She is also only the second woman of color to ever win Best Actress after Halle Berry, who presented Yeoh with the Oscar alongside Jessica Chastain. Michelle Yeoh wins Best Actress for Everything Everywhere All at Once, becoming the first Asian woman ever to do so. What a world - or, should we say, what a universe.ġ1:32 p.m. "Thank you to the storytellers here who did that for me."Īnd with that, Hollywood's top honor went to the movie with hot dog fingers and a butt plug fight scene. "One of the best things we can do for each other is shelter each other from the chaos of this crazy world we live in," director Daniel Kwan says. Your 95th Oscars Best Picture Winner - 'Everything Everywhere All At Once' #Oscars #Oscars95 /fYo6J1eLKv- The Academy March 13, 2023 Meanwhile, The Fabelmans, a more traditional Steven Spielberg drama that looked like classic Oscar fare on paper, went home without a single win. After all, one of its key moments is a fight sequence that involves butt plugs. But it was still remarkable to see the Academy so thoroughly embrace a movie that some once thought would be too offbeat for voters. Everything Everywhere's Daniel Kwan and Daniel Scheinert also became only the third directing duo to win Best Director.Įverything Everywhere All at Once's dominance wasn't a surprise after its performance at precursor awards shows. With Yeoh's win, she made history as the first Asian woman to win Best Actress, while Ruth Carter became the first Black woman to win multiple Oscars. ![]() Between those two films, this was the first time a single studio won all four of the acting awards. It was also a huge night for A24, the studio behind Everything Everywhere and The Whale. The so-called Brenaissance, meanwhile, was capped by Brendan Fraser, who had struggled in recent years before wowing critics with The Whale, winning Best Actor. The producers had notes on his work but did not quarrel with the concepts, said Cooper – who added that Steven Spielberg, who presented the Best Picture award, also said he liked the film.It was a night for comebacks, including for Ke Huy Quan, who quit acting for 20 years because he had trouble finding roles after starring as a child in movies like Indiana Jones and the Temple of Doom. He and two editors at Prologue Pictures worked for two months on the sequences, beginning in the days when "The Social Network" was the presumed frontrunner because of all its critics awards. ![]() The first, Cooper said, made visceral connections between the films the second, emotional ones. The producers opted to open the show with the "Social Network"-based montage, and to close it with the "King's Speech" one. A third was based around the oration from "The King's Speech" – because, Cooper said, "He's calling on people to rally and rise up and meet the challenge, and the characters in all the films had their challenges that they were trying to overcome." Another, set to the Aerosmith song "Back in the Saddle," used "The Fighter" as a jumping-off point. One was based on the rowing scene in "The Social Network," and was set to Reznor's music. ![]()
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